On July 8th I travelled to Oxford to meet Paddy Summerfield in the house he has lived in since he was 18 months old and, more particularly, the house that served as backdrop to his 2014 masterpiece ‘Mother and Father’ (published by Dewi Lewis).
Paddy and his partner Patricia Baker-Cassidy live in an Edwardian villa in Oxford’s Summertown where they work together to bring a lifetime’s photography to the surface.
This year Dewi Lewis has published another collection of Paddy’s work, ‘The Oxford Pictures 1968-1978’ which are a languorous and sexually charged examination of loneliness and self discovery. Paddy has always shot on 35mm and the images in this book are exquisitely reproduced from scans and printed at the legendary EBS printers in Italy which were also the printers of my book, ‘Want More’ in 2015.
This conversation is easily the longest I have published but it is necessarily so because Paddy is engaging on the subject of photography and candid when he talks about life in general. He is a true photographer in that his life is defined by the images he makes. His energy and ambition to keep publishing his extensive work comes from a desire to represent his world and not, as is often the case, from the ego.
Please take time to listen to the piece; listen to it win tranches if necessary, as it really is worth the effort.
Alex Schneideman July 2016
All images © Alex Schneideman, 2016
New York Times T Magazine
CPM Conscientious Photography Magazine
From London to New York, LA and Manchester plus points in-between James Mooney connects with so-called gang members to discover the story behind the prejudice.
James comes from a tough district of Dublin where he grew up with a choice; to join or not to join? That was the question. Now James lives between NYC and London and has made connections with gangs all over the world into which he has gained unprecedented access.
Trust is crucial to Mooney’s work and when you listen to him taking about his photography it won’t surprise you that he breeds trust wherever he goes. Indeed, when he came into my studio I was immediately intrigued by this softly spoken Irishman and wanted to know more. A big ego would not get you very far in the world of young men who live beyond the normal.
Another facet of Mooney’s relationship to his work is that he is incredibly modest about it. The only way you can see his images (at the moment) is through his Instagram, ‘pointshootthink‘.
Please listen in full to this fascinating discourse on a man’s quest to make sense of young people, their alienation and culture.
I’VE LIVED A THOUSAND LIVES
One bright September morning in 2001, Heathcliff O’Malley was preparing to spend another day among the catwalks of New York Fashion Week for the Daily Telegraph. His phone rang. It was his editor in London saying that reports were coming in about a plane strike on one of the Twin Towers. This call changed the course of Heathcliff’s life was to take. From that moment he was engaged in the story of the ensuing conflicts in Afghanistan, Iraq and Libya.
From the 80’s to Photographica – A Personal and Fond Farewell to the Independant’s Print Edition- full transcript below.
An essay on the power of one broadsheet newspaper, The Independent, that did more for the love of black and white photography than any other media outlet in modern times.